As you know, linked-arms cast photos aren’t my favourite. I was holding out for individual shots, but they were never uploaded.

That said, there is far too much to love and unpack from the Wuthering Heights Paris premiere for it to go unfeatured.

Heathcliff Held Back

At first glance, Jacob Elordi looked every inch a Prince Charming figure in his brown Bottega Veneta suit. The stand collar, in particular, gave the look a distinctly romantic note, which worked beautifully for this premiere. While the proportions felt just a touch oversized for my own taste, this silhouette has become something of a Bottega signature for Jacob, so it tracks. Cartier jewellery completed the look. You could look at the actor alongside his co-stars and director and ask: why isn’t he playing the game?

But he is. Here, the brown grounds him in earth and moorland. Unlike the wild florals or corsetry around him, this is passion suppressed to the point of severity. That suppression is very Heathcliff: rage redirected inward, power expressed through control rather than the overt drama we see from the others.

Uncontained

Emerald Fennell in Andreas Kronthaler for Vivienne Westwood feels like the novel’s fevered heart made visible. The gown’s exaggerated corsetry, puffed shoulders, and stormy floral pattern pull directly from Westwood’s long obsession with historical romanticism distorted by rebellion. The silhouette nods to late-Victorian drama, but the execution is restless, mirroring Catherine Earnshaw’s internal conflict. The flashes of red through the floral motif read like wounds. In contrast, this tells a more explicit narrative than Margot’s Robbie dress.

Already Covered, But Still Worth Another Look

Speaking of Margot, her Chanel look has already been broken down in full here.

The Landscape Personified

When you look at Shazad Latif’s Etro Fall 2025 look, it’s instantly clear that it nods to the Yorkshire moors of Wuthering Heights. The coat’s sweeping length and moss-green baroque pattern feel windswept and of the landscape, nodding to the moors rather than the manor. Etro’s signature romanticism works here because it’s untamed; the florals on the suit are not decorative but overgrown, like the moors themselves.

Etro Fall 2025