Koko interior designer Pirajean Lees looked to the sultry, saturated colours of director Wong Kar Wai’s films when renovating Hong Kong’s Dragon-i nightclub.
Founded in 2002 by Gilbert Yeung, Dragon-i is one of Hong Kong’s most famous nightlife venues.
London studio Pirajean Lees worked closely with Yeung to transform the venue’s interior, which included the addition of a members’ club, fitting out the spaces with bespoke furniture designed by the studio and crafted by Chinese artisans.
“Our goal from the beginning was to re-spark the sexiness and excitement, the ruggedness and roughness of the 1990s and early noughties,” said studio co-founder James Lees. “For us, this was the idea of the rebirth of the romantic side of Hong Kong.”
When visualising the interior, Lees and co-founder Clémence Pirajean were informed by the vivid cinematography of movies by Hong Kong filmmaker Wong, whose credits include the 2000 colour-drenched romance-drama In the Mood for Love.
The duo reconfigured the nightclub layout, which is anchored by a central marble-topped bar bejewelled with a pair of glittering glass-brick drinks cabinets.
Swirly timber panels frame the DJ booth, providing a textured backdrop for the sound system’s handcrafted speakers, while banquettes were finished in silver leather.
Meticulous architectural framing features throughout the low-lit interior design, in a move the designers described as mimicking individual snapshotted “memories of amazing evenings”.
“Everything was very cinematic,” Pirajean told Dezeen. “We wanted to guide people’s experiences.”
The bathrooms are characterised by more framing, clad with purposefully disorienting floor-to-ceiling mirrored panels. Large cubicles were finished entirely in stainless steel and illuminated by singular pink lights.
“We’re still working on putting a DJ in that toilet,” joked Lees.
Decadent materials were selected for their intense sensory appeal, which the designers saw as fitting for a venue centred around music, including a selection of striking Chinese marbles that the duo had not worked with before.
“Some of them are pink, some of them are acid green, some of them have these amazing chunks like eggs,” Pirajean said.
The members’ club sits adjacent to the nightclub on the site of a former restaurant and was designed to balance the nightclub’s sense of theatrics with intimate, homely touches.
This space includes a listening bar where guests can enjoy a wide selection of Yeung’s personal records, which are stored in oversized shelving constructed behind the perforated DJ booth.
A central “library” was placed in the middle of the bar, defined by built-in, back-to-back sofas upholstered in plush velvet. Green-hued banquettes snake around the corners of the room, amplifying the textile-clad walls that soften the acoustics.
A games room is located next to the listening bar and was created to be as immersive as the rest of the venue, while outdoor terraces provide moments of respite.
Dragon-i is typical of the Dezeen Awards-nominated studio’s “hyper-detailed”, narrative-led approach.
“The spirit of the project was freedom, fun, something that is not taking itself too seriously,” Pirajean said.
“It’s a club where so many interesting, quirky creatives go,” she added. “We didn’t restrict ourselves in terms of, where does this wild character stop?”
“It’s a bit of a mishmash,” added Lees. “Just the bonkersness and craziness of Hong Kong city.”
Known for their interior design of the members’ space at north London nightclub Koko, Pirajean Lees has also worked on restaurants in the city, including central sushi spot Kioku and 20 Berkeley in Mayfair.
The photography is by Edmon Leong.
